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The Art of Stone

Words
Varuni Mohan
Photos
HMG Stones

At the HMG Stones experience centre in Bengaluru, stone is presented like art

On Sankey Road, the HMG Stones experience centre feels like a pause in the city. Glass, steel, and stone come together in a way that suggests this is closer to a gallery than a store. What began as a 6,500 sq ft space has grown upward with two more floors, turning a single visit into a layered walk through stone. Founder Anand Reddy imagined stone being shown the way art is. To shape this idea, he worked with Italian architect Andrea Milani of Studio Milani, whose work in museums and galleries helped frame stone as something to look at, move around, and spend time with.

The design takes its cue from nature, from the turtle shell and its repeating hexagons. This pattern appears in the entry steps edged with light, in the floors, in the ceiling details, and in the lighting. It becomes a rhythm that follows you through the building without asking for attention. The facade stays open and transparent. Old stone-cutting blades have been reused as part of the steel structure, turning working tools into a graphic, architectural detail. Outside, large raw stone blocks act as seats, letting people slow down, sit, and look in before stepping inside.

Once indoors, a double-height space opens up, with full slabs of stone rising like large artworks. Marble, granite, onyx, and quartzite stand upright, spaced so you can walk around them. You find yourself looking at veins the way you would look at brushstrokes, noticing patterns you might otherwise miss. The experience moves across levels. As you climb, you keep catching views of other floors, of stones and people moving through them. Some areas feel open and airy, others more tucked in. Light shifts as you move. Pale marbles sit under daylight. Darker stones appear under focused light, some glowing from within.

The materials around the stone stay restrained. Concrete, wood, and metal form the setting. Joinery is sharp, steel details are precise, and nothing competes with the slabs themselves. In a few places, you can touch raw stone next to polished finishes, feeling how much the surface changes through craft. There are more than 200 varieties here, from marble and granite to limestone, sandstone, quartzite, onyx, and rare semi-precious slabs. Yet it never feels like too much, because the space edits the experience. You leave remembering what you saw, what you touched, and how it made you feel. hmgstones.com

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